The Arts + Justice Colloquy explores the relationship between the arts and justice using the arts to understand the symbiotic cultural life of law: culture shapes law and laws determine cultural practices. The arts are frequently celebrated for their capacity to evoke empathy and activate ethical responsibility. While artists have turned to forms of cultural expression to express a sense of voicelessness, this colloquy cautions against romantic celebrations of arts as panacea for social suffering. Cultural productions not only function as an antidote to injustice but can entrench dominant ideologies. Conversely, we are critical of an almost reflexive suspicion of law, which excoriates law as an a priori terrain of injustice, perpetuating existing discriminations. Collectively, these offerings imagine the legal terrain as culturally constituted, suffused with its own practices, and as a powerful force shaping our subjectivity, social relations, and political institutions. Releasing law from text and realizing it in performance provides a kinetic, dynamic mode of thinking about legal scripts activated in embodied and aesthetic form.
Flyaway Productions, Dancer: Sonshereé Giles. Photo: Brechin Flournoy.
The Blackwood Gallery | University of Toronto Mississauga
In this Attunement Session, four respondents have written personal, open love letters to a specific image within Unruly Archives which features work by Ali Eyal, Emily Jacir, Walid Raad, and Zineb Sedira.
The letters engage the images in personal, affectual, embodied, sonic, geographic, and mythical ways—underscoring how often that which does not appear within the archive can reflect and convey silenced narratives around transnational warfare, human conflict, extractive capitalism, environmental calamity—and the toll these persistent and often invisible forms of violence take. This method of interrogating the archive is also about decolonial love and transformation—how the messiness of personal memories, trauma, joy, and shared experience disrupt and defy so-called official histories.
Zineb Sedira, Photomontage, 2019, from the series For a Brief Moment the World Was on Fire… Courtesy the artist and galerie kamel mennour, Paris.
"Examining diversity and inclusion in the world of dance." Disrupted: Community, Connection, Change with Khalilah Brown-Dean
Featured Guest | September 6, 2023.
Reflections on Norming in the Neoliberal Global University: A Conversation with Rey
Chow.
Arcade: Literature, Humanities, and the World. Interview wtih Rey Chow in collaboration with Victoria Zurita and Roland Greene.
Exhibition: Performing Colonial Toxicity. by researcher and architectural historian Samia Henni, in collaboration with If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. The project sheds light on the redacted history of French nuclear colonialism in the Algerian Sahara and draws attention to the urgency of reckoning with this history and its lived environmental and sociopolitical impacts.
8 Oct – 14 Jan 2024 | Framer Framed, Amsterdam
Offered select translation support for exhibit material.